Download PDF In Search of a Concrete Music (California Studies in 20th-Century Music, Band 15), by Pierre Schaeffer
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In Search of a Concrete Music (California Studies in 20th-Century Music, Band 15), by Pierre Schaeffer
Download PDF In Search of a Concrete Music (California Studies in 20th-Century Music, Band 15), by Pierre Schaeffer
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Pressestimmen
"Completely changed how I hear the world and, after more than 30 years, I am still living with the consequences."--John Dack"The Wire" (02/01/2013)"Recommended."--J. Behrens, Wolf Museum of Music and Art"Choice" (04/19/2013)"One of the postwar perìod's most significant (and readable) grapplings with new artistic paradigms."--Rob Young"Frieze" (02/01/2013)"Collects Schaeffer's journals and other writings about his musique concrete, which he created by manipulating recorded sounds."--Harper's"One striking impression that emerges from reading this book is that [Schaeffer's] work merits a perspective with greater nuance."--Times Higher Education (02/28/2013)"Captures these uneven rhythms of intuition and perplexity, and his imagination and wit."--Los Angeles Review Of Books (04/03/2013)
Klappentext
"Few books have described with such precision the evolution of thoughts and concepts behind the invention of a new music as A La Recherche d’une Musique Concrete. In this book Schaeffer has unveiled the major philosophical problems of music of the second half of the twentieth century. An excellent translation by Dack and North." —Daniel Teruggi, Head of Institut National Audiovisuel, Groupe de Recherches Musicales, Paris“A fascinating glimpse into the mind of Pierre Schaeffer, the creator of the very first kind of electroacoustic music, the Concrete music, here in a stellar translation. In this diary combined with musical considerations, Schaeffer gives the necessary keys and invites the reader to follow, step by step, how Concrete music became a major trend of the twentieth century." —Marc Battier, Professor of Musicology, University Paris-Sorbonne“Pierre Schaeffer’s writings are fundamental to our understanding of twentieth-century music in general and all the sound arts that use technology. This book reveals a truly experimental journey with its detours and frustrations—yet with determination, dazzling imagination and insight, Schaeffer pieces together a coherent and radical theory of music made through sound as perceived. Christine North and John Dack’s translation brilliantly captures Schaeffer’s painstaking reinvention of the vocabulary of music.” —Simon Emmerson, Professor of Music, Technology, and Innovation, De Montfort University
Alle Produktbeschreibungen
Produktinformation
Taschenbuch: 244 Seiten
Verlag: University of California Press (30. Januar 2013)
Sprache: Englisch
ISBN-10: 9780520265745
ISBN-13: 978-0520265745
ASIN: 0520265742
Größe und/oder Gewicht:
15,2 x 1,8 x 22,9 cm
Durchschnittliche Kundenbewertung:
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Amazon Bestseller-Rang:
Nr. 265.416 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
For all us poor monoglot anglophones who have been wrestling with secondhand interpretations of the significance and detail of Schaeffer's unique contribution to music, this long awaited text sets the record straight. Now for the first time we get a sense of the complexity, expansive depth and self-critical vigour of Schaeffer's thinking. There are so many ideas in this work that will stimulate new insights for those of us who have been kept in ignorance by our lack of access to the original texts. Dack and North have done us a great service for which I am truly grateful. Their meticulous work over many years has been rewarded with the issue of this essential text for all interested in electroacoustic music and sound studies in general. We await with great expectation the completion of the translation of the Treatise on Musical Objects. Three cheers for Dack and North!
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